Included Special Features for the Daria DVD Box Set Complete Series:

Featurette pilot: Sealed With a Kick
Music video: Mystik Spiral music video "Freakin' Friends"
Featurette: Daria Day Intros
Featurette: Top Ten Video Countdown Hosted by Daria & Jane
Interview: Cast & crew interviews
Featurette: Never before-seen Mystik Spiral spin-off script

This is in addition to every episode of the show, and the made for TV movies as well. All told that's 8 discs and 60+ episodes of Daria, totaling over 26 hours of entertainment! It's all you can handle and then some, and you'll have the entire series and every hilarious, sarcastic, witty, off the wall portion that you loved.

The people of Lawndale just don't get Daria Morgendorffer. She's cool with that. See, Daria was born alienated, and now she's just trying to make it through high school with as little human contact as possible. Popularity, friends, activities... whatever. Daria lacks enthusiasm, but she makes up for it with sarcasm. Includes all five seasons plus both movies!

Don't miss out on your chance to own the Daria boxed set on DVD. This is a classic animated series, and if you grew up watching it then you will love being able to take it all in, all over again. If you didn't watch it originally though, you'll certainly be impressed with the intelligent, hilarious banter that ensues. This one is made for the fans though, and you won't find more bang for your buck than you can right here with the Daria DVD boxed set, featuring the complete animated series!

From the producers of Band of Brothers, The Pacific tracks the real-life journeys of three U.S. Marines--Robert Leckie (James Badge Dale), Eugene Sledge (Joe Mazzello) and John Basilone (Jon Seda)--across the vast canvas of the Pacific Theater during World War II. The miniseries follows these men and their fellow Marines from their first battle with the Japanese on Guadalcanal, through the rain forests of Cape Gloucester and the strongholds of Peleliu, across the bloody sands of Iwo Jima and through the horror of Okinawa, and finally to their triumphant but uneasy return home after V-J Day.

This is an epic miniseries from HBO that will keep you drawn in from the beginning all the way to the final seconds. It interweaves real life stories and harrowing accounts of the horrors of war, with personal moments and insights about the character and personalities of all of the men involved.

Some feel the The Pacific blu-ray doesn't quite live up to the Band of Brothers, which was a fantastic HBO series also made in conjunction with Tom Hanks and Steven Spielberg. The two shows are certainly very different from one another. The pace is probably a bit slower in this one, and each episode focuses on a different character or group of characters, changing focus several times throughout the series.

Still, buying the Pacific on blu-ray is really a no brainer. This is still a fantastic series, and it offers intriguing tales that have never really been heard before. This half of WWII is so often forgotten and overlooked, particularly the smaller bit still fierce and deadly battles sandwiched between the big name ones like Guadalcanal and Iwo Jima.

Above you can find the Pacific blu-ray boxed set for sale at a great, cheap price. The sales and discounts available for The Pacific are fantastic and make bringing this one home even better. Add the boxed set The Pacific blu-ray to your collection today!

Not really a movie or documentary, The Secret is more of a video seminar, a presentation featuring a series of authors, philosophers, doctors, quantum physicists, entrepreneurs, and spiritual practitioners expounding on the powers of The Secret (probably the most well-known of the presenters is Jack Canfield, author of Chicken Soup for the Soul and The Success Principles).

What is The Secret, exactly? "That principle can be summed up in three simple words: thoughts become things," proclaims writer Mike Dooley, author of Notes from the Universe. Put it another way, it’s The Power of Positive Thinking and how it can be applied to attracting more money, better health, and relationships; in short, happiness. (There is a rundown of topics on the DVD Chapters menu).

Most of the material here is given in a straightforward manner, with the presenters simply talking into the camera to address the audience directly, which is good because it avoids the trap of pretense. On the other hand, the quick edits between presenters (would it hurt to let them say more than one sentence at a time?) don't help because it reduces many of their points to palatable sound bites and aphorisms.

To many viewers, this may make the program come across as a series of nice ideas not rooted in reality. Plus it's somewhat spurious to claim that The Secret was well understood and practiced by specific individuals like Plato or Shakespeare (it's well known that some of the historical figures noted didn't exactly live happy or even prosperous lives, despite their achievements).

But still, the primary message is one of positivity and hope for everyone. So what to make of it? In the end, programs like this generally find an audience that is open to the message, and many will probably find it to be a source of inspiration. Others will approach it with a good deal of skepticism or dismiss it as another way of marketing happiness the masses. It simply won’t resonate with everyone, but if it resonates with you, you're likely to enjoy it and get a lot out of it. Those looking for more on The Secret might want to check out the companion book by Rhonda Byrne. --Daniel Vancini

Emily Blunt and Rupert Friend star in the lavish historical drama, The Young Victoria. Resolved to establish her authority over those who rule in her stead, a young and inexperienced Queen Victoria (Blunt) draws strength from the love of Albert (Friend), the handsome prince who’s stolen her heart. Based on the courtship and early reign of England’s longest-serving monarch, The Young Victoria is a majestic tale of romance, intrigue and power.

There are a lot of things to enjoy about the Young Victoria DVD. The acting from all of the major characters is extremely well done. The entire period of time, as well as the individual characters, all seems to be captured with a high level of accuracy and a strong, careful attention to detail. From the costumes and sets to the intriguing and captivating story of it all, The Young Victoria on DVD is a great flick to add to your collection.

While Daybreakers presents vampiric traits that distinguish its vampires from others in the many films that have ridden 2009's vampire movie wave, there is a lack of humor here that makes this film sour compared to sweeter ones like Cirque du Freak: A Vampire's Assistant. Maybe that's because the plot in this horror feature from Peter and Michael Spierig (Undead) is more akin to zombie films like 28 Days Later.

The year is 2019, and nearly all humans are converted vampires searching in vain for blood during a blood shortage, as they drain remaining humans into extinction. Nightly, CNN airs segments about the Blood Crisis, while vampire citizens around the globe attack each other like cannibals. Humans are farmed like cattle while tied to blood-draining machinery in the top-secret pharmaceutical corporation run by evil CEO Charles Bromley (Sam Neill). Sound like a heavy-handed metaphor for our oil wars? Daybreakers can definitely be viewed in that light, as a story about greed and consumption.

Stylistically, it looks like a cross between Alien and Batman, with its Giger-esque set design and blue-tinted hue to represent night fallen on society. The lead eactors help to salvage this movie. Edward Dalton (Ethan Hawke), chief hematologist at Bromley, straddles the vampire and human worlds, with the aid of humans Lionel "Elvis" Cormac (Willem Dafoe) and Lisa Barrett (Harriet Minto-Day), to search for a blood replacement to placate the starving masses. These three protagonists carry the film, though not well enough to call Daybreakers any sort of genre breakthrough. --Trinie Dalton

In many ways a close adaptation of Cormac McCarthy's grim novel, The Road dutifully plods through the basics of McCarthy's nightmarish post-apocalyptic landscape: a father (Viggo Mortensen) and his young son (Kodi Smit-McPhee) try to survive as they trek along through the sodden, sunless remnants of some awful disaster. Scrounging for food and huddling together to stay warm, they spend most of their time trying to avoid the cannibalistic marauders who roam the highways.

The film strikingly demonstrates that McCarthy's book was almost entirely dependent on his extraordinary language for its literary life; the story, such as it is, is so skeletal and spare it doesn't translate well into movie terms. The Proposition director John Hillcoat brings his grungy physicality to the material, so in the matters of the damp clothes and starved bodies and cheerless forests, the movie rings true. But the longer it trudges on, the more it seems a thoroughly conventional conclusion is at the end of this dystopian tale.

The Road has one notable selling point: the performance of Viggo Mortensen. In his character's fierce determination to live--but also the gentle sighs he lets forth when confronted with, say, his first sip of whisky in years--Mortensen is completely in the moment, and all too human in the post-human world. --Robert Horton

Martin Scorsese puts Leonardo DiCaprio through the wringer again in Shutter Island, a gothic adaptation of Dennis Lehane's novel. Leo's character, a Federal Marshal named Teddy Daniels, is first seen vomiting and jittery aboard a ferry; he and his new partner (Mark Ruffalo) are being taken across the water to investigate an escape from a prison for the criminally insane, located on a forbidding rock called Shutter Island.

From the first, Scorsese treats the place as though it were Skull Island in King Kong, worthy of ominous music cues and portentous camera angles. This might not be an easy assignment for the sweaty, anxious Daniels, who is haunted by his memories of German concentration camps and the loss of his wife (Michelle Williams, appearing in ghostly hallucinations).

The audience will likely feel just as unnerved as Daniels, given the destabilizing nature of Robert Richardson's swooping cinematography and Thelma Schoonmaker's crazy-making editing scheme (it feels as though fractions of seconds have been removed from the timing of simple conversations, giving the movie a strung-out edginess--it's like watching Ray Liotta's cocaine meltdown sequence from GoodFellas for 138 minutes).

Ben Kingsley and Max von Sydow are staff psychiatrists, suspiciously eager to talk about lobotomies, and Ted Levine and Patricia Clarkson appear for small but potent turns. Scorsese appears to be "doing a genre picture" here, borrowing happily from influences such as Val Lewton and Samuel Fuller, and the film has a resultingly put-on atmosphere: a great deal of old-dark-house Sturm und Drang whipped up in service of a gimmicky little premise. The fade-out achieves some measure of real eeriness, and the whole shebang is certainly a kicky night out at the movies--if you can shake the sense that a talented filmmaker is working a couple of rungs beneath his level. --Robert Horton

The good news is that Edge of Darkness (no relation to the fine 1943 war picture of that name) brings back Mel Gibson in front of the camera for the first time in nearly a decade. Although he's grown creased and leathery and his thatch has thinned, the movie star who was Mad Max still has the charisma and gravitas to center a dodgy suspense tale and propel it to the finish line. Gibson plays veteran Boston police detective Tom Craven, who welcomes home daughter Emma (Bojana Novakovic) for a rare visit, then sees her shot down at his front door.

Because the gunman shouted "Craven!" and because a cop makes enemies, Tom assumes Emma took a bullet meant for him, which adds considerably to his grief and pain. But as he looks into the life of a daughter he loved yet scarcely knew, he discovers she'd been preparing to turn whistleblower on her employer, a corporation doing unsavory clandestine things for the government.

Craven starts having oblique chats with a philosophical Brit named Jedburgh (Ray Winstone), who keeps turning up unexpectedly--in Craven's backyard at night, say--always giving the distinct impression that he could just as well kill a fellow instead of schmoozing. Their strange rapport, like Craven's tendency to mutter ironical asides as if in ongoing conversation with the departed Emma, is more intriguing than the conspiracy involving corporate skullduggery and a rogue assassination bureau.

The bar for that sort of thing was set in post-Watergate days by Alan J. Pakula's The Parallax View, and we're nowhere near its cinematic elegance or pervasive paranoia. Edge of Darkness, based on a British miniseries from 1985, was directed by Martin Campbell, who also handled the six-hour original (and more recently the successful James Bond reboot Casino Royale)

Campbell does decent-enough work--the occasional bursts of "shocking action" do shock even as we know they're coming--but rarely exceeds generic requirements. For killing comparison among contemporary suspense films, catch Roman Polanski's The Ghost Writer, in which every frame unsettlingly conveys a world where disquiet is the natural order of things. --Richard T. Jameson

For those in love with love--and even for those who think they're jaded and over it--Valentine's Day and its superb cast are the uplifting elixir that's called for. Director Garry Marshall must have called in every favor he had in Hollywood to line up this amazing cast. Much as Robert Altman does in his best films, Marshall follows intertwining and intersecting couples around Los Angeles as they hook up, break up, and act up as Valentine's Day--with all its intense expectations--looms. Bradley Cooper and Eric Dane play a gay couple struggling to get back on track.

Julia Roberts plays an army officer en route from Iraq (!) to visit a lover halfway around the world. Jennifer Garner is appealing as the girlfriend of a cad (Patrick Dempsey), who managed to overlook telling her he was married; will Garner's character go all Fatal Attraction? Standouts include the always-charming Anne Hathaway, whose character supplements her income with a freelance gig that, shall we say, involves using multiple accents over the phone--much to the consternation of her beau, played by Topher Grace.

Shirley MacLaine and Hector Elizondo play a long-married couple whose strong marriage may be rocked by an old and very inconvenient truth. And young stars Emma Roberts, Taylor Lautner, and Taylor Swift sparkle enough to draw in younger viewers. And if love doesn't always go as planned for these couples (and singles), it's Marshall's deftness as a director that keeps the scenes moving along crisply to the next lovers, or victims.

Marshall seems to be aiming to achieve for Valentine's Day what Richard Curtis did for Christmas in Love Actually--and if he falls a little short, it's not due to any lack of star power or onscreen dazzle. "Love is the only shocking act left on the planet!" exclaims Ashton Kutcher's character. If so, viewers of Valentine's Day can expect to be shocked--into a warm romance with this, yes, valentine to love. --A.T. Hurley

A dark and creepy film about family relationships directed by Henry Selick of Nightmare Before Christmas and James and the Giant Peach fame, Coraline is based on the haunting book Coraline by Neil Gaiman. The first stop-motion feature shot in stereoscopic 3-D, Coraline features big-headed, stick-bodied animated characters with huge eyes and demonic grins set against menacing backgrounds and an undercurrent of spooky music.

Coraline is a teenager who has just moved to an old house in the middle of nowhere with her writer parents and she is bored, bored, bored. Her only companions are an annoyingly talkative boy Wybie (short for Why Born), some eccentric neighbors from the theater and circus, and a strange, button-eyed doll with a marked resemblance to Coraline which Wybie found in an old trunk of his grandmother's.

When Coraline finds an old door hidden behind an armoire and papered over with wallpaper, she convinces her mother to unlock it, only to find a wall of bricks. When Coraline revisits the door later that night, the bricks magically disappear and she discovers a strange pathway to another world where everything is just what she wishes for. In stark contrast to the real world where Coraline's parents just don't have time for her, her "Other Mother" and "Other Father" in this alternate world are the perfect loving, attentive parents who anticipate her every need and desire.

Initially comforted and quite happy in this new world, suspicion that things may not be quite as they seem grows inside Coraline and her disquiet is furthered by the mute "Other Wybie" and a strange-talking cat that seems to move between both worlds. Eventually, Coraline discovers some dark secrets about her "other parents" and the seemingly perfect "other world," but it may be too late for her to escape back to the real world. Teri Hatcher is especially effective in her dual (voice) role as Mom and "Other Mom" and Dakota Fanning also gives a great performance as Coraline. Coraline is a disturbing, intriguing film that both captivates and frightens. (Ages 11 and older) --Tami Horiuchi